In the late 1890s a young man named Charles Leach—along with some friends and about 100,000 other prospectors—traveled to the Yukon, hoping to strike gold. The punishingly harsh conditions and chaotic boomtowns of the Klondike gold rush have been mythologized in fiction, poetry, and film, but Mr. Leach’s letters home deliver an exceptionally rare contemporary account of day-to-day life in the far north. He became the cook for his expedition, and wrote to his wife in rich, transportive detail about supplies and budgets, wild bear steaks, and exorbitant $15 doctor visits. Ultimately, he—like so many others—left disappointed, but arguably the real treasure turned out to be the fascinating first-hand account that he wrote along the way.
Brattlecast #123 - Who is Jimmy Cagney?
Remember Jimmy Cagney? Of course some do, but it’s fewer and fewer people every year. For those of you who don’t remember, Cagney was one of the biggest stars of the Golden Age of Hollywood, who won acclaim for his performances in films like White Heat, Yankee Doodle Dandy, and The Public Enemy. Even fewer people remember him as a talented amateur painter, but in his autobiography he claimed that he might have been happier as a painter than as a movie star. We have one of his paintings in the studio with us today, a floral still life that usually hangs in Ken’s office. We’ll use it as a jumping off point into a sprawling conversation about the way that fashions in collecting change over time. Interest in Jimmy Cagney and his show business contemporaries is slowly fading away, while, for example, among younger collectors a new interest in 19th century women writers is blossoming.